Timothy Everest + Horiyoshi III at LC:M: The Photos

A short but sweet follow-on to yesterday’s event review, featuring our official photographs from the night which give a good overview of the evening. We were bowled-over by the reaction, so thank you to all who made it brilliant!

Timothy Everest and Horiyoshi III at LCM
The calm before the storm…

Timothy Everest and Horiyoshi III at LCM
Tilda’s bespoke basted jacket (which Annika has beautifully sewn as a finished piece that keeps its basting stitches) and Horiyoshi III on a silk scarf draped over the window.

Timothy Everest and Horiyoshi III at LCM
Mrs Everest’s musk candles were scenting the room.

Timothy Everest and Horiyoshi III at LCM
Drinks kindly sponsored by Herbert Hall and Timothy Taylor.

Timothy Everest and Horiyoshi III at LCM
Jimmy Q and Dylan take their positions.

Timothy Everest and Horiyoshi III at LCM
Konan and Boria.

Timothy Everest and Horiyoshi III at LCM
The Timothy Everest and Horiyoshi III Morgan Roadster awaits to greet our guests.

Timothy Everest and Horiyoshi III at LCM

Timothy Everest and Horiyoshi III at LCM
We’d set up a mini tailor’s workshop in on of the rooms where our tailors were showing their craft.

Timothy Everest and Horiyoshi III at LCM
Bat tattoo art by MAC professional artists.

Timothy Everest and Horiyoshi III at LCM
The MAC artists at work.

Timothy Everest and Horiyoshi III at LCM
Tracey Emin and Johnnie Shand Kydd speak to Horiyoshi III’s apprentice Alex Horikitsune Reinke while he conducts a live tattoo performance on Mr Daisuke Sakaguchi.

Timothy Everest and Horiyoshi III at LCM
Tilda et moi!

Timothy Everest and Horiyoshi III at LCM
The guests enjoy the film.

Timothy Everest and Horiyoshi III at LCM
Tilda and me watch the film.

Timothy Everest and Horiyoshi III at LCM
Isn’t she amazing?

Timothy Everest and Horiyoshi III at LCM
Tilda with Patrick Bunting of Dormeuil who created the jacquard cloth for her suit.

Timothy Everest and Horiyoshi III at LCM
Tracey and Tilda watch the film, with Sandro behind.

Timothy Everest and Horiyoshi III at LCM
Tracey, me and Mary McCartney.

Timothy Everest and Horiyoshi III at LCM
Princess Julia and one of the ICA directors.

Timothy Everest and Horiyoshi III at LCM
Mark Francis and Freido observe the tailors at work.

Timothy Everest and Horiyoshi III at LCM
Jefferson Hack.

Timothy Everest and Horiyoshi III at LCM
Tracey Emin and Stella McCartney.

Timothy Everest and Horiyoshi III at LCM
Pam Hogg.

Timothy Everest and Horiyoshi III at LCM
Tilda Swinton with Alex Horikitsune Reinke and Daisuke Sakaguchi.

Timothy Everest and Horiyoshi III at LCM
Tilda and Sandro look through Horiyoshi III’s book with Alex.

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Timothy Everest + Horiyoshi III at LC:M

The ICA has seen some diverting exhibits in its time, but possibly none more than the spectacle we put on last Monday night during London Collections: Men to launch our collaboration with Horiyoshi III, the legendary Japanese tattoo artist and the luxury brand that transfers his designs to clothes and accessories. Our custom-made Morgan Roadster imprinted with Horiyoshi III’s iconic “Moon Bat” motif (aka our very own Batmobile) greeted guests in Carlton House Terrace and ferried them to and from the event, along with a Morgan Three-Wheeler and Aero Coupé. The two rooms inside showcased the bespoke collaboration of tailoring and tattooing: in one, Horiyoshi III’s apprentice Alex Horikitsune Reinke conducted a live tattoo performance, his canvas being the stoic Mr Daisuke Sakaguchi, bearer of many Horiyoshi tattoos (and, thanks to his minimalist thong attire, guests were able to appreciate almost all of them), while MAC treated us to a live tattoo makeup application; in the other, our very own Annika, Maria and Lloyd (not in a minimalist thong, I regret to say) showed off the cutting-and-stitching arts that went into the key garments being modelled at the event, including a towncoat embellished with a veritable cloud of degrade Moon Bats, and a reversible bomber jacket entwined with a serpent pattern, featuring contrast sleeves, along with jackets, shirts, ties and scarves adorned with Horiyoshi prints and patterns.

We also premiered a short film dedicated to the collaboration; Findhorn, directed by Johnnie Shand Kydd and starring Horiyoshi III fan Tilda Swinton, who strikes a pose or two amid the brooks and glens of her native Scotland in a glorious deconstructed ivory Moon Bat-print wool trouser suit. I was delighted to welcome Tilda to the event as guest of honour, looking stunning in that very selfsame outfit (with myself in a matchy-matchy Tommy Nutter-inspired flared ivory number of my own) along with Johnnie, Tilda’s partner Sandro Kopp, Tracey Emin (in her own fabulous TE bespoke dress), James, Stella and Mary McCartney, Tamara Beckwith, Robert Elms, Mark Francis from Made In Chelsea, Jefferson Hack, Pam Hogg, Princess Julia, Jasmine Guinness, Sandra from The Golden Heart – it just wouldn’t be a party without her – and the TE team as well as many of our clients and friends. English sparkling wine and pale ale (kindly provided by Herbert Hall and Timothy Taylor respectively), near-naked men and pounding Japanese techno on a school night – whatever next?

I’ve lumped together a rather random selection of our snaps from the night, with more to follow tomorrow:

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

Timothy Everest and Horiyoshi III present Findhorn with Tilda Swinton

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Timothy Everest and Horiyoshi III: The Car

We’re launching our new collaboration with the luxury brand by revered tattoo artist Horiyoshi III at London Collections: Men’s next week. The project draws on the parallels of the craftsmanship of bespoke tailoring and tattooing, the outcome of which will all the revealed soon…

To celebrate the launch, we’ve worked with our friends at the Morgan Motor Company to produce a custom-made Roadster, emblazoned with one of the prints used in the collection, which is based on one of Horiyoshi III’s beautiful original drawings. The car is making its merry way around London this weekend, so keep an eye out for it, and don’t forget to tweet @timothyeverest if you do spot it using the hashtag #TEHTT!

Timothy Everest and Horiyoshi III

Timothy Everest and Horiyoshi III

Timothy Everest and Horiyoshi III

Timothy Everest and Horiyoshi III

Timothy Everest and Horiyoshi III

Timothy Everest and Horiyoshi III

Timothy Everest and Horiyoshi III

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London in 1927

This video has recently caught the attention of Twitter, and I’m sure you can understand why I too love it. The film complies footage of our capital shot by British pioneer filmmaker Claude Frisse-Greene, whose father was experimenting with the colour film process.

It’s funny how a lot of city remains noticeably unchanged.

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Perfectly Tailored Tasting

The current (commendable) vogue in wine is to emphasise the importance of the vineyards, the soil, the vines, the importance of place, the terroir. For most winemakers this goes without saying however the rise of the “flying winemaker” (superstar oenologists who consult variously for different wineries, often globally) has set-up a rather artificial dichotomy between those who style themselves as custodians of the vines, whose job it is to merely encourage the grapes to fulfil their potential, and those for whom the grapes are the raw material – which their expert hands fashion in to drops of vinous beauty. The truth inevitably lies somewhere in between, but as Evan Bakke, a biodynamic winemaker in Ventoux states – “it’s man who discovers terroir”. With this in mind, the team at WineChap were delighted to once again be invited to host a “Perfectly Tailored” Tasting at Timothy Everest’s Spitalfields atelier, highlighting wines of consummate craftsmanship, that share the bespoke values of fine tailoring.

wine

Guests were treated to the following wines:

Krug Grande Cuvee
The ultimate example of the importance of craftsmanship and intervention. Around 220 wines from 10 or more different vintages – some of which may reach 15 years of age – are blended to create the unique fullness of flavour, incredible generosity and elegance for which the Grande Cuvee is known. This is impossible to achieve with wines of just a single year. A stay of at least another 6 years in the cellars creates the exceptional finesse which is present regardless of the annual changes in climate, as was Joseph Krug’s vision. All this under the watchful eye of head winemaker Eric Lebel – WineChap previously had a go at blending a cut-down version of their 2011 vintage.

Chene Bleu Aliot 2009
A wine in the style of the Northern Rhone. The vineyards are situated at the crossroads of 4 Rhone appellations near Gigondas, and the wines for the Aliot are 7 years old and north facing at 550m. This is a biodynamic wine but requires a huge amount of work and effort. Their exacting standards of quality control can be found throughout the vinification process. Hand harvesting, double selection, gravity flow in the winery, small tanks to vinify each mini-block separately, a combination of oak, concrete and stainless steel tanks, scrupulous hygiene and storage, and bottling according to the biodynamic calendar on ‘fruit’ and ‘flower’ days all combine to create this exceptional white Grenache.

Vina Alicia Tiara 2011
A wine with an experimental blend from vineyards in Lunlunta at an altitude of 900m, looking over the bed of the Mendoza River. The rare combination of 50% Riesling, 40% Albarino and 10% Savagnin, three grape varieties native to Europe, has created an unusually energetic and nuanced white wine blend, typical of Vina Alicia’s experimental philosophy. The wine is kept on the lees for 12 months to develop the complex and unique taste, and to preserve freshness is not aged in oak barrels, but bottled directly. Only 2,000 bottles are hand crafted every year – it really is a labour of love.

Puligny Montrachet Les Levrons Domaine Bitouzet-Prieur 2010
With origins in two of the Cote de Beaune’s most prestigious villages Volnay and Meursault, the Bitouzet-Prieur family Domaine has been handed down for 5 generations. The chardonnay grapes used come from multiply-owned vineyards, yet different expressions are wrought from the soil. The grapes are handpicked and brought to the cellar without crushing and are then pressed in a pneumatic press, after which the musts are left to settle for 12 to 18 hours. Both the alcoholic and maloactic fermentation stages take place in the barrel, 15% of which are new each year. The wines are racked before harvest, and stay for another 4 or 5 months prior to bottling.

Mastrojanni Rosso di Montalcino 2010
A traditional and terroir driven wine, the winery eschews the use of barriques as one might expect from such traditionalists. Mastrojanni believe that a winemaker is like a doctor; spot a problem and then cure it, but better yet prevent problems from arising by a careful and continuous presence in the winery. Here winemaker Andrea Machetti knows every details from a barrel which needs replacing to the a plant in need of help – he is at the beck and call of the wine.

Roda I Reserva Rioja 2006
Roda uses grapes from more than 20 carefully supervised vineyards amongst Rioja’s best terroirs, and then only grapes from the most superior 17 blocks are used in the Reserva ensuring superior grape quality – the concept of single vineyards is rare. The vines are over 30 years old and the yields are kept low, sustainable farming practices are used and vertical basket presses are used to crush the grapes in the gentlest manor possible. The wine is ages in French oak (50% new) for 16 months and then held back in the bottle for an additional 20 months prior to release.

Chateau Langoa Barton 2002
The wine is made up of a blend of ¾ different parcels of grapes from across the gravelly-clay soils of the vineyards. The vinification process is traditional – it is matured for 18 months in oak barriques (50% new). This wine is vinified and matured in the same traditional way as Leoville Barton, the only variations being put down to the variation in the soils and exposure.

Royal Tokaji 5 Puttonyos Blue Label 2008
The world’s original sweet white wine. The wine is a carefully balanced mixture of paste and grapes which takes great skill. Aszu grapes are picked into 20 litre wooden tubs called puttony, and are then crushed releasing intensely sweet juice, whilst the non-aszu grapes are vinified to make a base wine. The number of puttony (20kg) per barrel (140kg) gives the final puttonyos level of the wine. Fermentation takes place in 140l Gonci barrels made from Hungarian oak, and can take from 1 to 2 years – Aszu wines must legally be matured for 3 years, though Royal Tokaji wines are usually ages for longer. One vine yields approximately one glass of wine.

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Lost Lanes

As you may be aware, biking into the wilderness is very much on our minds here at TE this season – “Untamed London,” one of the themes running through our current collection, is inspired by two-wheeled trips into the capital’s outlying oases – and the perfect guide to those trips, and so many more, has just landed on my desk. Lost Lanes by Jack Thurston (editor of the Bicycle Reader) details 36 rides, from gentle spins to more exacting hill climbs and weekend camping adventures, through the ancient lanes and quiet byways of southern England, from a circumnavigation of the Isle of Wight to the “Surrey Hills Legbuster” (not for the faint-hearted, I’m guessing), via a Wimbledon-toWeybridge run that’s going to be first on my list. Those all-important pub and tea stops are detailed on every route, and the whole thing is beautifully-illustrated, and well-nigh indispensable for casual cyclists and the biking barmy army (yes, I’m holding my hand up) alike. To paraphrase Squealer in Animal Farm: two legs good, two wheels better.

Lost Lanes

Lost Lanes

Lost Lanes

Lost Lanes

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Parisian Matchless

Excuse my “French”, but here’s a big shout-out – or should that be un petit coucou – to my cross-channel ami Hugo Jacomet, aka The Parisian Gentleman, for passer les mots about la maison d’Everest on his esteemed blog of the same name, running a profile of me in his Guide PG section, and featuring a superieur dix of our bespoke creations. I know Hugo to be a bon vivant, a peerless flaneur – he’s memorably shown me around the pots de peau of his Left Bank neighbourhood (now Amsterdam) – and a great authority on all things fait sur commande, so I consider his approbation to be a great honneur (speaking of which, isn’t it about time he was awarded the legion d’ of the same name?) Mon cher Hugo, fraternité toujours.

Parisian Gentleman Guide

Parisian Gentleman Guide

View Hugo’s PG Guide at www.guidepg.com

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The Lunch Club, Episode 6: The Clove Club

After a lengthy hiatus, I finally return to London’s culinary coalface, and explore those places that are getting everyone all hot under the collar…

Venue: The Clove Club is the latest venture from head chef Isaac McHale, erstwhile Young Turk (their pop-up above the Ten Bells in Spitalfields, venue of the last, somewhat torrid Everest Christmas party – sorry about the broken chair, Isaac – became so popular, it’s now a permanent stop-up) along with Daniel Willis and Johnny Smith. The CC is in the storied premises of Shoreditch Town Hall – soaring high ceilings; sturdily municipal period features; no-nonsense white walls – and has got everyone talking, from the Independent to the New York Times (thumbs triumphantly aloft all round). Dinner is served in the dining room at the back (open kitchen, cerulean tiles); for lunch, we were in the bright, airy bar at the front.

Ambience/Clientele: As laid-back, impeccably-serviced and food-focused as any of the Turks’ previous iterations, but with a more permanent, bedded-down feel. Equally welcoming to single business guys enjoying bar snacks and beer on the high stools, Brooklyn-bearded locals in artisanal overalls, or parties of creatives (like the one to our left) making the room ring with raucous laughter at what was obviously The Funniest Joke Ever.

Dining Companion: Stylist, photographer, magazine editor and all-round creative visionary Kenny Ho.

Food: It’s clear why the foodies are salivating. The combinations are killer, the ingredients are unimpeachably sourced, and the presentation is Instagram-ready, the apogee being the Buttermilk Fried Chicken & Pine, a sort of posh McNugget (I mean that as the highest praise) on a bed of pine needles & fronds, apparently sourced from local east end parks (do they get passing pitbulls to shake ‘em down, I wonder?) Also in our starter taster banquet were Wood Pigeon Sausages & Ten Bells Ketchup (both racily piquant); Rye Crackers, Radishes, & Oat Smoked Cod’s Roe (crunchy, melty, a textural as well as tasteful triumph); and some gratifyingly chunky Wye Valley Asparagus Spears. Kenny waxed lyrical over his Yorkshire Lamb Filet main with spinach and anchovy sauce, while I marvelled at the delicacy of my Grilled Mackerel with cucumber, elderflower & dill (I misheard the former ingredient as “smack cucumber,” which would certainly have taken the incongruous-combo movement to a new and dizzying level).

What We Talked About: Principally, the first issue of Kenny’s marvellous magazine Article, available from discerning outlets now including our online shop, which is an objet d’art in itself with its stitched binding, and which contains articles on worldwide Tweed Runs, the Travelling Gin Company (perfect G&Ts from a customised butcher’s bicycle), shoe designer Justin FitzPatrick, and, well, modesty almost-but-not-quite forbids me from mentioning that yours truly is in there too, discussing menswear in general and our bespoke casual spring/summer 2013 collection in particular. What else? My upcoming projects with two quite famous and lovely ladies (let’s simply refer to them, for now, as TE and TS); Kenny’s insider take on the outfits sported at the Met Ball punk gala (Carine and SJP, yes yes yes; Madonna and Gwyneth, no no no); and which hipster-set sports the most extravagant beards, Hoxton or Williamsburg (the winners: Williamsburg, by a hair).

Overall Impressions: Clove to Clove you, baby.

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Pedalling to Paris

Last Friday, May 31st, saw me preparing to cycle from London to Paris within 24 hours, with virtually no training, on my Pearson Palace which I’ve barely ridden for 18 months, and more or less as the result of a dare from Will Pearson (of Pearson Cycles). The ride was in aid of the Duchenne Children’s Trust, a charity working to find a cure for Duchenne Muscular Dystrophy, the most common genetic killer of children worldwide. It was set up by Emily Crossley, who used to work at Channel 4 News, and her husband Nick; their son Eli was diagnosed with the disease in 2011. Thus, thirty of us set off from Channel 4 HQ in London at 4 in the afternoon, led by Krishnan Guru-Murthy, and including Quintessentially’s Ben Elliot, Jack Wills CEO Peter Williams, and seriously committed riders from Google and the Channel 4 graphics department (we were seen off by Jon Snow, who wasn’t able to come, but waved us off with a Union Jack and Tricolor, while wishing us luck in equally mellifluous English and French).

Paris

I soon settled into grinding, back-achey place – somewhere near the back – as we took the London-Brighton route toward the ferry at Newhaven, which we boarded after a diverting dinner in Newhaven’s finest and possibly only) Italian restaurant, which seemed to be built around its gratifyingly capacious restrooms. The fight between Ben and myself over who would have the top bunk (Ben won, of course) proved academic, as the infernal heat and Shining-like ambience meant there was No Sleep Till Dieppe, where we arrived around 4. It was then straight on our bikes and down the Rue Vert, a track carved out of a bunch of disused railway lines that runs for around 30 miles alongside rivers and picnic areas and through sleepy villages with their bistros, which I would have loved to patronise had it not still practically been the middle of the night. With the Google and Graphics pelotons way out in front, I got lost twice, but it was far from unpleasant heading down the grassy tracks through quiet woods – in fact, it wasn’t until we got to Versailles that you felt like you were anywhere within a croissant’s throw of Paris. We picked up a police escort there, and eventually came through the Arc de Triomphe accompanied by four Jaguars, police bikes, a support truck blaring its klaxon, and what seemed like the entire population of Paris (cycling enthusiasts all, of course) blowing their horns and waving in support. We finally pulled up under the Eiffel Tower at 4 in the afternoon, around 24 hours after we set out, tired (extremely), and elated (comprehensively), having raised over £200,000 toward the cause.

Paris

Mrs Everest met me at journey’s end, and we did le weekend a Paris, from which three strong recommendations arose:

1. Le Maison Favart, the hotel we stayed at, just north of the Palais Royal, near the galleries around the Rue Vivienne. It’s named for the founders of the Comic Opera, and it’s got a real 18th-century jewel-box ambience; like Les Trois Garcons but with real Parisian chic (making a strong comeback, in my opinion) as opposed to kitsch. Plus they have a concierge who really knows his oignons.

2. Le Vaudeville, an old-school brasserie (it’s part of the Flo chain) near the Bourse. It’s great for lobster and for people-watching, especially if your kind of people are flamboyant gentlemen who spend around 20 minutes elaborately sorting out the seating arrangements at their table.

3. The Keith Haring show at the Museum de l’Art Moderne de la Ville de Paris. It’s huge and, having not seen his work en masse for years, I was bowled over by the colours, the exuberance, the willies (some hidden and others not so hidden), and the prodigiousness of his output, especially as he died at 32. It’s on till mid-August, so catch it if you can.

Paris

Paris

Paris

Paris

Paris

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Daddy Dearest

With Father’s Day imminent, I thought I’d offer a one-stop answer to that hardy perennial “surely-there-must-be-an-alternative-to-B&Q-tokens?” question, with an Everest Top 5 that encompasses every patriarchal partiality and price point. No need for fulsome thanks; it’s all part of the service.

FOR COMPETITIVE DADS
Our black barathea slim cut pea coat, with those telling little details – angled flap pockets, Huguenot blue undercollar – will put him streets ahead of his style rivals.

Timothy Everest Pea Coat

Timothy Everest Pea Coat

FOR “KING OF THE JUNGLE” DADS
Our swell-egant silver sterling cufflinks, inlaid with a beautiful semi-precious Tiger’s Eye stone, will have him purring with pleasure.

Timothy Everest Cufflinks

FOR RAD MOD DADS
Have him channel his inner Paul Weller with our stand-out soft red Sea Island cotton polo shirt. The perfect accessory to a blast of dad-rock.

Timothy Everest Polo Shirt

FOR PRIMARY-SCHOOLED DADS
Can dads sing the reds, yellows, and blues? Absolutely, with our ribbed cotton-mix socks adding that mom-and-pop of colour ‘twixt trouser cuff and brogue.

Timothy Everest Socks

FOR “PURLY KING” DADS
What better way to strike an assured note of informal formality than to sport one of our 100% silk knitted ties, in venturesome shades of ice blue or rich plum?

Timothy Everest Knitted Tie

Timothy Everest Knitted Tie

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